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PAPER DESCRIPTIONS
: The following are descriptions arranged by country for the specialty
fine-art papers that we currently stock. Please note that the underlined
words can also be found in the glossary.
PAPYRUS After the style of the ancient Egyptians, these sheets begin with the pith of the papyrus plant which is cut into thin strips and soaked in water. The hydrated pieces are then cut to the length of the sheet to be made. A layer of parallel strips is placed on a piece of cotton and then a second layer perpendicular to the first. The completed sheet is then covered with a second piece of cotton and pressed between two pieces of felt to dry. Dark papyrus is "aged" in water longer than normal to achieve a darker color and less solid sheet. Papyrus is suitable for painting, writing with many varieties of inks, bookbinding, etc. Egyptians consider it the "everlasting" paper as papyrus has been found in perfect condition in tombs and temples dating back to 2700 B.C.
HEAVYWEIGHT ART PAPER, A wonderful rough, rustic paper; this is an inexpensive heavyweight handmade paper, sized for watercolor and fun for charcoal, pastels and printmaking. Sorry, no deckles, it's cut to size. TEXT AND COVER Scattered spring bouquets of flowers and grass and minute strands of wool and jute are some of the inclusions used to decorate these beautiful, inexpensive sheets of Indian paper. The surface texture has a slight wove finish and because it is handmade, the paper varies in weight, texture, and design. Trimmed to a 22" x 30" sheet, these papers are excellent for invitations, stationery, bookbinding, frame and box making, etc. SILKSCREEN/WOODBLOCK These striking geometric patterns are individually hand-pressed or handmade paper with wood blocks using a method adapted from fabric printing. The sheets with one impression are always hand-b?ocked; the sheets with two impressions may be hand-screened for the first impression, but the second impression is hand-blocked. The resulting intricate patterns range in color and design from subtle to vibrant.
GINWASHI A long standing favorite of artists and crafts people, this lovely translucent paper with gentle sheen and soft, delicate strands of short fibers makes excellent lampshades, shoji screens, and accents for invitations. HOSYO PROFESSIONAL Traditionally used for Japanese woodcuts, this thick, strong, and absor,1,ent paper is excellent for wood block printing because it does not shrink or tear easily. It is a highly refined wood pulp with a laid patt~rn and fine tooth. LACE-HEAVYWEIGHT A diaphanous handmade paper with beautiful geometric or natural irtotifs. The patterns, reminiscent of old-fashioned laces, are created by a strong spray of water over a stencil or screen which has been laid on top of a freshly formed sheet of paper. The Japanese call this process "falling water". In Japan, these lace papers are used for shoji screenis and lampshades. LACE-LIGHTWEIGHT Formed the same way as the heavyweight lace, this delicate, lightweight pajer is used in Japan for paper lanterns, partitions, lampshades, and collage. May also be used for invitations or flysheets for bookbinding. LACE-OGURA Strongest of the lace papers, the ogura lace is machine-made from 100% manila hemp. To form the distinctive lace pattern, long fibers are separated by a "falling water" effect on the newly formed sheets to form various holes within the paper. MOMI (KYOSEI-SHI) A beautifully textured paper made by hand using traditional Japanese paper Making techniques. This soft, wrinkled paper is covered with a konyaku solution that makes the paper stronger and gives it a water~resistant quality. Konyaku is a jelly-like substance that is created from the tuberous root of the Devil's Tongue plant. Historical note: Monks of the Todaiji Temple in Nara use these papers to make special clothing worn during a traditional ceremony called "Omizuutori". Momi metallic papers are machine-made yet crinkled by hand and get their color from imitation gold and silver powder mixed wit~t paste and then spread on the sheet of paper. Momi-pearlized papers are soft and luxurious with subtle glistening pearlescence. To get its sheen, mica is brushed onto the formed sheet which is then hand crumpled and hung to dry. SUNOMI Shimmering gold and silver inks are used to print an elegant laid pattern on this beautiful Handmade Japanese papers The pattern of the chain lines is created by using a special tool called the "su". The word "sunomi" means "mesh of su" in Japanese. An excellent paper for backgrounds and accents. TURNIP Handmade from a combination of fibers and turnip or melon vines depending on the season, this paper has the look of assorted pureed green leaves and brown stems and captures the scent of a summer field. It is a surprisingly strong, lightweight paper with a slightly rqugh texture. UNRYU with gold and silver flecks An elegant, translucent paper with long, white fibrous strands and faux gold and silver leaf floating throughout. An excellent paper for invitations, wrapping paper, collage, chincolle, etc.. YUZEN Made in Japan, these silk-screen papers have intricate designs with some originating from f4rtous Yuzen patterns for Japanese kimonos and others from modern motifs. Designs are silk-screened by hand onto pH neutral papers usiihg water-soluble inks. Ranging from delicate butterflies to vivid geometrics these papers create stunning accents for bookbinding, collage, greeting cards, boxes, jewelry, etc. WATERMARK This sophisticated sheet of paper comes in six designs: stripe, fleur de lys, diamond,calligraphy, romance and mystic dance. The effect is similar to a traditional watermark but is machine-formed. It is a beautiful paper for decorative use, laser compatible for business correspondence and lightly sized for personal correspondence.
LOKTA Deep, rich earthtones in solid and "pinto" patterns are the allure of these vegetable-dyed papers from Nepal. These sheets are handmade from fiber of the ?Nepal paper plant?, called the Daphne shrub. The "back" sides of these sheets are equally as beautiful as the "front." When glued down the papers take on the look of leather which makes them great for bookarts.
BANANA BARK This luxurious, richly textured paper has long thick fibers of banana bark matted down into a dense arrangement on a salagobase. BANANA MAT The soft, warm texture of this paper from the Philippines is made from banana bark. It is perfect for sculpting or molding into different shapes. BLACK-SOLID This is a staple to any paper department. It is a beautiful, silky, rich black paper with texture that varies from an even, smooth surface to very subtle, random crater-like indentations. FISHNET Reminiscent of fishnets or wicker this light airy paper is great for lampshades or accents for cards, boxes or books. The paper is made by nailing cotton thread vertically, horizontally and diagonally into a mold. The mold is then dipped into colored salago pulp and dried out in the Philippine air and sun. GRASS MAT While the abaca fibers are wet they are stripped into thin pieces which are then dried before weaving into long mats. The paper is then died, cut and sewn into the desired size. These pieces are fragile and brittle, but perfect for collage or lampshades. LUPA These salago-based papers are versatile and?have a wide range of characteristics. Depending on the inclusions and drying techniques, there is a very different look from sheet to sheet. Featuring dramatic texture, and wonderful visual interest these papers make terrific cards, lampshades, etc. SALAGO This impressive line of medium-weight papers is made from salago, a wild shrub similar to the Japanese mulberry tree. Salago pulp is also used to make currency in the Philippines because of its strength and natural sheen. All of the papers in this line contain inclusions of coconut, rice hulls, abaca fibers, or hand-torn banana bark and come in a wide range of colors from subtle pastels to bright and striking hues to harvest colors and neutrals.. SALAGO W/ BANANA BARK Dried banana bark is torn by hand into chunks and then added to salago pulp to form these rich, heavily textured handmade papers. Available in a range of harvest colors as well as natural white. A great paper for bookbinding, folder and box making, etc. SILKCREEN Interesting shapes and symbols adorn these hand screened papers. From the simple colors of "Symbols" to the vivid green of "Green leaf" to the subtlety of the gold on natural of "Ornamentation", these papers are great for accent pieces on, invitations for the holidays or any time of the year. STARDUST Long. stringy fibers dance with flecks of silver and gold throughout the smooth salago background of this paper. An excellent substitute for Tairei. WOVEN In one day an expert weaver can hand weave 3-4 sheets of paper, while a beginner can spend all day on 1/2 sheet. You have got to appreciate their patience! These beautiful, richly textured sheets are wonderful for bookarts and portfolios. Be careful when cutting, the ends will need to be tacked down.
CRUSHED LEATHER Rich texture adds dimension to this machine made paper. Consistent and easy to work with, this paper is perfect for bookarts. Also availablein stationery, this paper is laser and ink jet compatible. GRANITE Subtle crater-like indentations create interest in this elegant paper. As it's cousin papers, crushed leather and pearlized, it is available in stationery. Try the white or champagne for a stand-out resume. . GRASS Wild, golden grass floating on a slurry of kozo fibers creates this beautiful translucent handmade paper. This sheet is very thin and fibrous with deckle edges. An excellent choice for lampshades and screens. KALEIDOSCOPE This line is similar to other "tie-dye" papers, but unique as it is produced, folded and dyed entirely by hand. The result is a bright, colorful fun sheet great for lampshades, bookbinding, boxmaking and collage. LACE-LIGHTWEIGHT SPIRAL /LATTICE Repeating spirals spun together with strands of kozo fiber form this beautiful, intricate lace paper from Taiwan. These sheets are formed by the ?falling water? process as are the Japanese lace papers. An outstanding accent for invitations, flysheets, lampshades, and screens. MOMI-LIGHTWEIGHT This paper is lighter in weight and less expensive than the Japanese momi paper but the wrinkled texture and deckle edges make them very similar. A beautiful laidpattern adds to the quality of thes simple, yet elegant sheets. PEARLIZED Similar to the Granite, this Pearlized paper takes it one step further with an opalescent~sheen on one side. The contrast between the two sides looks great when folded against each other. Printable on both sides.
BANANA Thick chunks and strands of banana bark dance on lightweight kozo sheets in a palette pf folk art colors. A festive paper for projects of all kinds. BATIK This fun, bold paper is hand-batiked with vibrantly colored lobsters, fish, flowers and lizards. These bright patterns are first drawn in liquid wax and then hand painted. The colorful designs stand out on handmade kozo paper. BIRD'S NEST The name says it best! This unique, thick paper is handmade from coconut hair and tree debris producing a rough straw-like texture. Because of its unusual texture and rich color, it is great for decorative arts and collage. CAL LING Designed by Cal Ling of Chico, CA, a paper maker for 16 years, this paper is adorned with remnants of fabric in colors of all seasons. Color and texture in Cal Ling papers are used as visual stimulation and inspiration to evoke and encourage the creative process. EMBOSSED A more delicate paper than the thick embossed papers from the Philippines, this line is available in six wonderful patterns. From the understated pebble design to the bold topographical map this paper is great for invitations and bookarts. GARDEN Fems,marigolds, bamboo, bougainvilla, leaves and grass - everything you could find inyour garden (and then some) is included in this gorgeous range of handmade papers. The Chaotk Strings and Floating Blocks each have their own unique texture created by the strands or sq,uares of kozo bark. These two very different papers show the multi-faceted nature of kozo. Interesting fact: The bougainvilla "petals" are actually the colorful bracts surrounding the less conspicuous flowers on the ~voody, tropical Bougainvilla vines. LACES An altermative to the more expensive Japanese laces, these sheets are great for invitations. MARBLED PAPERS Immense, flowing patterns are created by hand to form these intriguing marbled papers. An Qccasional imperfection is part of the character of hand decorated paper and adds beauty and variety. Available in beautiful color combinations with accents of gold and silver ink. MULBERRY This mulberry paper is machine-made from 100% kozo, a fiber which creates strong,smooth, and flexible paper. It is available bleached (white) and unbleached (natural) and is an excellent sheet for wood block, silk-screen, drawing, matting, and bookbinding. The sheet has two deckles and a neutral pH. MULBERRY WI MICA A quiet, romantic feeling is what our 100% kozo p~perta~es on after dustings of mica and scattered pieces of diamond-shape paper are added. This translucent sheet is beautiful for invitations or accent pieces. NATURALS Sprinkled with distinctive natural plants of Thailand, these sheets are an equal blend of kozo and recycled paper. Each sheet has incredible texture, color, and contrast. Available in two weights (40 g/m2 and 100 g/m2), the uses for these papers are endless. An important note: we are proud to say that the harvest of these materials does nOt damage nature s ecological balance. SOFT METALLICS Similar to the Japanese momis this line of papers is machine made and brushed with acrylic metallics to create wonderful colors. The gold and silver are great for holiday cards and gift wrap, while the more in~ustria1 feel of the grey, taupe and blue add an exciting element to collage. UNRYU Long, swirling strands of kozo provide subtle contrast and texture in these traditional style unryus. These lightweight papers are translucent and are available in a wide spectrum of colors ranging from soft pastels to rich, vibrant hues. Someunryu papers are available with inclusions such as chips of mulberry bark, mango stems and leaves, gold strands, and pieces of newspaper. UNRYU-HEAVYWEIGHT CRINKLED Softer than the reversible unryu, this crinkled paper is available in muted earthtones with chips of mulberry bark peppered throughout the sheet. Though the paper is machine-made, it gets its texture by hand-crinkling each sheet and treating it with a vinyl acetate which strengthens the paper and makes it water resistant crumpling two contrasting sheets of unryu with a neutral polyvinyl acetate-based adhesive. This process gives the paper a coarse texture and adds weight to the sheet. When wet, this paper has a great deal of elasticity. An excellent paper for bookbinding, box making, frames, and decorative projects. UNRYU-SOFT This machine made, 100% kozo paper is hand-wrinkled giving it the look and feel of fabric. It is a strong and resilient paper with long, silky fibers that flow throughout and has soft irregular edges. An excellent paper for photo backgrounds since it drapes beautifully. Other uses for this paper are as vast as the imagination.
MARBLED Luscious colors and flowing metallics are machine-marbled oń´¤ resin impregnated paper through an extraordinary new technology. Similar to the more expensive French marbles papers, these US marbles are a Black Ink exclusive! SILKSCREENS Weve taken some of our favorite papers and screened them with the Romancç ¤esign. The result is a wonderful paper and because of the many different background papers, the uses are endless. The vellum based paper is a natural for wedding invitions, the Lokta based papers are beautiful book covers and the bagasse and commercial based papers add that special something when wrapped around a gift. |
 SpecialtyPaper page 1
BKP Philipines
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 SpecialtyPaper page 2
BKTU Thailand |
 SpecialtyPaper Page 3
BKT Thailand |
 SpecialtyPaper Page 4
GC Thailand |
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