Grumbacher Pre-Tested Oil - 37 ml. Tubes. Save 25%
Grumbacher Pre-Tested® is the name of Grumbacher's professional range of oil colors. Everything made is tested again and again at every stage of its existence. Time-proven formulas are fine-tuned through independent laboratory tests aswell as hands-on trial by professional artists. We specify the best ingredients available, putting every new one through a rigorous selection process.
Grumbacher Pre-Tested is Grumbacher's flagship. It's the product that, more than any other, represents the way we do business: with care, precision, attention to detail-taking nothing for granted. On a more specific level, it means simply the finest pigments the world can offer, milled in select alkali-refined linseed oil for the professional artist. Pre-Tested stands for optimal color development, high chroma, superior tinting strength, excellent adhesion, outstanding working properties and archival quality.
90 colors, 1.25 fluid ounce (37 ml) tubes. Whites and Ivory Black also available in 5.07 fluid ounce (150 ml) tubes. Made in the U.S.A.
USING OIL COLORS
. Choose a good quality, stable support-stretched canvas or woo panels are most often recommended.
. Raw canvas should be sized before priming by brushing with hide glue or acrylic matte medium. Prime the sized canvas with acrylic gesso or white lead primer.
. Never mix oil colors with acrylics or paint acrylics on top of oils. You may apply oil paint on top of acrylic gesso so that is thoroughly dry.
. Use mediums and thinners to alter characteristics such as flow, transparency, gloss and drying time.
. Use a retouch varnish when colors are dry to the touch and a regular, long-term varnish when painting is completely dry (after 6Ä1 months).
. Protect the surface of a finished painting with a removable varnish. Dirt, dust and smoke discoloration's adhere to the varnish over time and can be removed along with the varnish to restore the painting.
. Oil paintings will yellow if left to dry in the dark. Let them dry in normal room conditions, avoiding direct sunlight, high humidity or other severe conditions.
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PAINTING "FAT OVER LEAN"
Multi-layer oil painting techniques in which paint is fluidly applied require that "each layer of an oil painting must contain more oil than the layer underneath". This allows for proper drying and adhesion between paint layers and deters cracking of the painting when it ages.
To ensure a "fat over lean" ration, pour a quantity of oil or painting medium into a container and dilute with a larger amount of solvent. Mark the level of the mixture on the container. Fill the palette cup from this container. When a layer of painting is completed, allow it to dry. Then refill the container up to the mark with straight oil or painting medium. Repeat each time a layer is completed, adding oil or medium up to the mark on the container for each session. This will automatically increase the ratio of oil in each layer.
Wet-in-wet or alla prima painting techniques, in which paintings are completed in one or two sessions without allowing layers to dry, do not require adherence to the "fat over lean" rule. Such paintings effectively form only one paint layer, so the rule does not apply.
All Pre-Tested Oil Colors are available in 1.25 fl. oz. (37ml) tubes. Several colors are also available in 5.07 f.
oz. (150 ml) tubes.
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Color Chart
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